funny how your expectations can be defeated , and not in good ways . 
the ghost and the darkness promised ( at least , it seemed to me to promise ) a hemingwayesque showdown between men and nature . 
what it delivered was mystery science theater 3000-level material -- an inadvertently hilarious story that made me scream advice at the characters . 
 " get new jobs ! " 
was one line , if i remember correctly . 
at the end of the 19th century , col . patterson ( val kilmer , whose irish accent comes and goes like an african zephyr ) is an engineer who has been hired to build a british railway bridge across the tsavo river in uganda . 
he is having immensely stereotypical problems : the natives are restless , his boss is a jerk , and now two man-eating lions are stalking the work camp and killing people off . 
patterson tries to handle the situation himself , incompetently , and then turns to charles remington ( michael douglas ) , a hunter of world reknown ( or something like that ) . 
the movie stacks the deck so heavily in favor of the lions , they should have gotten top billing and co-starred with siegfried and roy . 
they are nigh-invulnerable , as one comic book put it , and this is of course just the excuse the movie needs to have one native after another stepping forth to solmenly recite lines about the power of nature . 
give me a break . 
the movie hasn't got the wherewithal to even begin to exploit such ideas ; it's just trying to find convenient ways to stall us . 
even the lion hunts themselves are idiotic . 
get this : remington's big plan is to build a large scaffold-like structure in the middle of the savannah , sit on it , and wait for the lion to show up . 
he does this , and then gets knocked off by a bird . 
by the end of the movie , the blood vessels in my palm were all broken open from me pounding my forehead with my hand . 
the acting is forgettable . 
douglas does a good job of portraying a relatively cracked fellow , but it's nothing he hasn't done before . 
kilmer looks like he wishes he were someone else , somewhere else , and the rest vanish into the cinematography . 
the camera , by the way , sometimes behaves so stupidly all by itself that most of the lion attacks are incoherent . 
what did i expect from this movie ? 
i dunno . 
some real excitement , i suppose . 
a sense that there were formidable forces on both sides of this equation . 
no such luck . 
i dug out my tattered copy of hemingway's " the short happy life of francis macomber " and read that to get the taste of this movie out of my mind .